Imagine an abandoned White House, covered with graffiti, open to the winds, full of trash, broken bottles and condom wrappers. Now go a step further and picture it against the background of the most beautiful Middle Eastern panorama you can conjure up. That is Tell El-Ful, a hilltop in East Jerusalem. Ever since we learned about the existence of a deserted Hashemite palace perched atop the mound, we’ve been on a mission to uncover its past. Like many other tells in the region it has a biblical past (perhaps), an archeological past (probably) and a historical one (most definitely). But more than almost anywhere else, this litter-strewn hill is a metaphor for life in these parts: It has seen tears and blood, dreams and hopes. It has been home to kings and shepherds, soldiers and tribesmen. And it has brought together lovers and enemies; Arabs and Jews; Jordanians, Israelis and Palestinians.
David Green, whose article got us hooked, takes us to explore the sites trippy royal past.
When news of the atrocities committed by the Tribe of Benjamin reached the people of Israel, a civil war broke out. Soon the Benjaminite’s stronghold, Gibeah, became synonymous with heinous crimes, lack of morality and total lawlessness. So where is Gibeah? And why does it even matter?
What would it be like to have a king as your tenant? Just ask Mohammad Qutob from Beit Hanina. In a time when the ‘ownership’ of Jerusalem is back in the news, we met up with members of the city’s real aristocracy, families who have called it home for more than eight hundred years.
The lavish halls that were supposed to house heads of state and billionaires are now full of thorny bushes and heaps of garbage. What would have been the wine cellar is now prime location for daring make-out sessions. Welcome to King Hussein’s royal palace, exactly fifty years after the outbreak of war abruptly halted its construction.
The episode was produced by Yuli Shiloach, Hannah Barg, Zev Levi and Mishy Harman. It was edited by Julie Subrin, recorded by Ben Wallick, and mixed mixed by Sela Waisblum. The original music in this episode was composed and performed by Ari Jacob, with help from Yochai Maital. The final song, “Wen Ya Galub,” is by Dudu Tassa and the Kuwaitis. Thanks to: David Green, Sarah Rosen, Maya Rosen, Dalia Belkin, Chaim Silverstein, Yoni Yahav, Mustafa Alami, Lina Qutob, Abood Qutob, Mohammad Dajani, Simone Katz, Zach Sicherman, Avi Shlaim, Michael Falero, Hélène Franchineau, Mikey Ezrachi, Naomi Schneider, Hadas Shteif, Peter Fogel, Gideon Avital, Eve Sneider, Federica Sasso, David Harman, Dorothy Harman, Esther Werdiger and Wayne Hoffman.
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